The theory of tone semantics: Concept, foundation, and application
Identifieur interne : 000F46 ( Main/Exploration ); précédent : 000F45; suivant : 000F47The theory of tone semantics: Concept, foundation, and application
Auteurs : Marc Leman [Belgique]Source :
- Minds and Machines [ 0924-6495 ] ; 1992-11-01.
English descriptors
- KwdEn :
- Teeft :
- Arbitrary character, Attractor, Auditory system, Automatic recognition, Causal connection, Central concepts, Claude debussy, Cognitive, Cognitive process, Cognitive psychology, Cognitive structuralism, Cognitive structuralist approach, Common partials, Complex dynamics, Computer model, Conceptual fixations, Current theory, Direct perception, Elementary data, Epistemological, Epistemological foundations, Expressive meaning formation, Formal system, Functional relationships, Horizontal axis, Information stream, Input pattern, Input patterns, Integration curve, Internal representation, Knowledge atoms, Leman, Linguistic paradigm, Long time scale, Marc, Marc leman, Meaning formation, Mental processes, Mental representation, Mental system, Methodological reasons, Methodological solipsism, Music analysis, Music recognition, Music research, Music semantics, Musical context, Musical imagination, Musical information processing, Musical knowledge, Mutual interaction, Neural network, Operational account, Perception structure, Perceptual meaning, Physical properties, Real world, Same time, Semantic properties, Semantic relationship, Semantics, Sensorial, Sensorial properties, Shepard, Short term, Short time scale, Similarity relationships, Stable perception points, Stable points, Stable schemata, Stable structures, Structural representations, Subsymbolic account, Theory states, Time steps, Time window, Tonal music, Tonal theory, Tone center, Tone centers, Tone context, Tone context evolution, Tone context value, Tone contexts, Tone fusion, Tone perception, Tone semantics, Tone structure, Traditional approach, Ultimate basis, Vertical axis, Vertical lines.
Abstract
Abstract: Tone semantics is a psychoacoustic-based theory of gestalt perception that deals with tone perception and the assignment of functional relationships between tones in the musical context. The theory provides an operational account of semantics in terms of complex dynamic systems theory and forms the basis for non-symbolic research in music imagination. This is illustrated by an application in the automatic recognition of tone centers from acoustical input. An analysis of the basic concepts and related epistemological and methodological principles reveals a promising paradigm for music research.
Url:
DOI: 10.1007/BF00419418
Affiliations:
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